Released in 1994, “De Mysteriis Dom Sathanas” by Mayhem is a seminal black metal album, shaped by band tragedies and known for its raw, haunting sound.
From inverted crosses to streamlined designs: Trace the evolution of Death’s logo alongside the band’s shifting musical style and Chuck Schuldiner’s uncompromising artistic vision.
Metal music isn’t just a genre; it’s a lifestyle with a fanbase that stays loyal through all stages of life. Explore the enduring appeal of metal music and its unique ability to hold onto fans from adolescence to old age.
In the midst of the 80s, the rock world witnessed a legal face-off involving Ozzy Osbourne and his song “Suicide Solution”, a case that questioned the boundaries of artistic freedom and responsibility.
The albums that built the scene, the ones that rattled the cages.
Deicide’s 1990 self-titled debut album is a seminal death metal release known for its speed, aggressive vocals, and anti-religious themes. It was recorded at Morrisound Recording and became a controversial but influential work in the genre.
“Zău,” released in November 2021 by Lupus Lounge / Prophecy Productions, is the final part of Negură Bunget’s “Transylvanian Trilogy.” It blends traditional Romanian instruments like the tulnic and nai with black metal, recorded between 2017 and 2021, and serves as a tribute to the late Gabriel “Negru” Mafa.
Napalm Death’s “From Enslavement to Obliteration” (1988) is an unrestrained sonic assault on societal ills and environmental destruction.
The album’s unrelenting grindcore sound perfectly mirrors its bleak lyrical themes, creating an intense and visceral listening experience.
Ministry’s tenth album, “Rio Grande Blood” (2006), is a politically charged industrial metal attack on the Bush era. Expect aggressive sounds and lyrics targeting everything from the Iraq War to government corruption.
Of Kingdom and Crown by Machine Head, released on August 26, 2022, via Nuclear Blast and Imperium Recordings, is a concept album inspired by the anime Attack on Titan, exploring themes of loss and revenge.
Catharsis by Machine Head, released on January 26, 2018, via Nuclear Blast, blends groove metal and nu-metal. Produced by Robb Flynn and Zack Ohren, it features personal and political themes.
Bloodstone & Diamonds, Machine Head’s eighth album, released on November 7, 2014, by Nuclear Blast, blends heavy riffs and melodic passages with experimental elements. Produced by Robb Flynn, it explores personal struggle and societal critique.
Unto the Locust, Machine Head’s seventh album, released September 27, 2011, by Roadrunner Records, blends thrash and melody, featuring Flynn’s classical guitar influences and a children’s choir on “Who We Are.”
Ever wondered which Pantera album is the top fan favorite? We’ve ranked their albums from the iconic “Cowboys From Hell” era to their last.
Machine Head’s The Blackening (2007), recorded at Sharkbite Studios, features intricate, lengthy tracks and socio-political themes. The standout “Aesthetics of Hate” responds to an article on Dimebag Darrell.
Through the Ashes of Empires, released on December 16, 2003, by Roadrunner Records, marks Machine Head’s return to groove and thrash metal. Produced by Robb Flynn, it features Phil Demmel’s impactful return.
Supercharger, released on October 2, 2001, by Roadrunner Records, is Machine Head’s nu-metal album featuring rap-style vocals and turntable scratching.
The Burning Red by Machine Head, released on August 1, 1999, via Roadrunner Records, blends nu-metal and alternative metal. Produced by Ross Robinson at Indigo Ranch Studios, it features introspective lyrics.
The More Things Change… by Machine Head, released on March 25, 1997, via Roadrunner Records, blends groove and thrash metal. Notable tracks like “Ten Ton Hammer” showcase themes of societal critique and personal struggle.